
Selected for Cannes Quinzaine des Cinéastes, Death Has No Master (La muerte no tiene dueño), directed by Jorge Thieland Armand and starring Asia Argento, follows the story of Caro, a woman who travels to Venezuela to sell her late father's cacao plantation. Upon her arrival, she discovers that the family estate has been taken over by its former staff, who are determined to remain there at any cost. Resolute in reclaiming what she believes is rightfully hers, Caro takes justice into her own hands, setting in motion a violent struggle that exposes the deep scars embedded in both the land and its history.
concept and design
Andrea Castelletti Studio
The poster draws inspiration from Gustave Doré's engraving for Inferno, Canto XXIX, created between 1861 and 1868 for his iconic illustrated edition of Dante Alighieri's Divine Comedy. The engraving appears in the film, and its presence became the starting point for the poster concept. By recontextualizing this image, the design extends the film's visual language while reinforcing its central themes of violence and damnation.
This is a rejected proposal.


Selected for Cannes Quinzaine des Cinéastes, Death Has No Master (La muerte no tiene dueño), directed by Jorge Thieland Armand and starring Asia Argento, follows the story of Caro, a woman who travels to Venezuela to sell her late father's cacao plantation. Upon her arrival, she discovers that the family estate has been taken over by its former staff, who are determined to remain there at any cost. Resolute in reclaiming what she believes is rightfully hers, Caro takes justice into her own hands, setting in motion a violent struggle that exposes the deep scars embedded in both the land and its history.
The poster draws inspiration from Gustave Doré's engraving for Inferno, Canto XXIX, created between 1861 and 1868 for his iconic illustrated edition of Dante Alighieri's Divine Comedy. The engraving appears in the film, and its presence became the starting point for the poster concept. By recontextualizing this image, the design extends the film's visual language while reinforcing its central themes of violence and damnation.

This is a rejected proposal.
concept and design
Andrea Castelletti Studio
Andrea Castelletti Studio
Milano / Ripatransone / Everywhere
andrea@acastelletti.com
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